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Frank Gohlke
Aftermath

 

Approached attentively, any place may persuade us to linger in an attempt to locate the source of its attraction. What we discover often comes to us in the form of a story. Landscapes are collections of stories, only fragments of which are visible at any one time. In linking the fragments, unearthing the connections among them, we create the landscape anew. A landscape whose story is known is harder to dismiss, harder to treat like a neutral matrix of interchangeable parts. For all the obvious, vast differences between ourselves and the aboriginal walker, singing the world into existence at every moment, there is still some sense of kinship. At its best, telling the landscape’s story can still feel like a sacred task.

Gregory Crewdson
Sanctuary

 

'Sanctuary' was shot amid the grounds of the legendary Cinecittà studios, outside Rome. Abandoned by the actors and crews that brought the sets to life, Crewdson decided to make the film sets themselves the subject of the photographs. Despite this change of direction, the artist's vision persists: 'As with much of my work', suggests Crewdson, 'I looked at the blurred lines between reality and fiction, nature and artifice, and beauty and decay.'

Inspirational People

These following photographers and videographers are who I get inspired from...
Multimedia Videos
Baikal Ice & A Boy's Struggle

 

These following multimedia videos have various angles and styles that are inspirational for beginners who are just learning about multimedia. These award winning videos are facinating and informative.

Baikal Ice is about a percussion group called Ethnobeat Irkusk and they went to Lake Baikal and played on ice sheets. The following sounds you'll hear were recorded and filmed live.

A Boy's Struggle is an audio and photograph multimedia piece that talks about a boy who was molested by one of his teachers. You'll hear both sides of the story since the mother was also inlcuded. This powerful award winning video by Liz O. Baylen conveys the feelings of both the son and the mother. The photographs shown throughout the piece will show the boy, but you can't really see his face.

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